A magazine of Goddess Spirituality in the 21st Century
Author: Geraldine Charles
Geraldine is the founder and editor of Goddess Pages. She is also a Priestess of the Goddess, a founder member of the Glastonbury Goddess Temple and a former Glastonbury Goddess Conference ceremonialist.
A web designer and all-round computer person, Geraldine is responsible for a number of websites. In her spare time she writes articles and poems, loves researching Goddess in mythology and also produces artwork on her beloved computer. She also runs an online correspondence course called "Getting to know the Goddess".
Volume 1 – Proceedings of the Association for the Study of Women & Mythology, edited by Marion Dumont and Gayatri Devi
Reviewed by Geraldine Charles
This book is a fantastic resource for me, providing both information and inspiration. If I have any complaint at all, it’s this: I can’t seem to finish it! This is certainly not because of the quality of the writing or the interest the book holds, but rather that every time I open it something I read sends me off on a journey, chasing up a reference or turning to The Civilization of the Goddess1 to check a thought or idea.
The Emperor’s Old Clothes
As Joan M. Cichon writes in the first of two papers included in the book2, the archaeologist Colin Renfrew chose in the 1970s to focus on understanding Maltese temples as the territorial markers of chieftains, arguing that only great economic and political power in the hands of such chiefs could have made possible the major construction projects of that time. He certainly wasn’t the first: early excavators of Silbury Hill in Wiltshire fully expected to find “King Sil” within this giant mound, quite possibly astride a golden horse and bearing the weapons one would expect of a great warrior, not to mention any treasure that may have been deposited with him.
Wishing everyone a wonderful Lammas! I was in Avebury last week: for me, the perfect place to celebrate. Even though Britain has seemed a little less "green and pleasant" because of the unusually warm weather, it was still great to see the wheat and barley ripe and ready for harvest in the fields around the Avebury henge, West Kennet Long Barrow and Silbury Hill, to mention but a few amazing places to visit there.
Some excellent news for Goddess Alive! readers: I looked after the website for years and when Cheryl Straffon, the founding editor, retired I couldn't bear the thought of all that content vanishing. I wasn't sure if I had the technical ability to pull all the information into a separate website within Goddess Pages, but it seems to have worked and you can now find all the wonderful material published in GA!by clicking here. There may be teething troubles, don't hesitate to let me know if you find a link that doesn't work or any other problem.
Cheryl and I have borne the cost of this between us so I hardly need say that donations to the cause are welcome! If you do decide to donate, please don't forget to let us know how you would like your donation to be used, whether for Goddess Alive!, Goddess Pages or split between the two magazines - you can do this by using our usual contact form.
If you'd like to contact Cheryl, you can do so from the contact page on the GA! pages - but to make life easier, do click here to find it!
The Bristol Goddess Temple opened its doors to the public for the first time on 5th August 2017. That day saw the birth into the world of a vision that had been cherished in the creative cauldron for several years – a birth that finally became possible when a room came up for rent in the Clocktower Association, a community space in Warmley on the eastern edge of Bristol. The Clocktower was already the home of a women's free-flow drumming circle and a monthly Moonlodge Red Tent held by Nikki Swann. Nikki gathered around her a small group of people who felt the call to help bring this vision into the light, and together we took a big leap of faith.
For several months now, three members of Glastonbury Goddess Temple have been putting together plans to offer Goddess-focused funerals, both in Glastonbury and elsewhere in the UK.
“We are all priestesses, as well as independent funeral celebrants, and feel passionate about choice – the choice we all should have to celebrate the end of our life, and the lives of those we care about, in a way that reflects our beliefs, and the way we have lived our lives”, said Lorraine Pickles, one of the organisers. “For Goddess loving people, that may include a ceremony that reflects a belief that death is but a returning to Goddess. And for those who see death as a return to the shores of Avalon, this may be reflected in a variety of ceremonies both for those close to death, and for those who have crossed the veil.” Continue reading "Goddess Funerals go live!"
This anthology of poems and other works expresses Lynne’s own journey round the wheel of the year and her own growth into a Priestess Healer in so many ways – from Beginnings, which describes the feelings and re-membering as everyone comes together for the first time, to the final Invocation, calling in the Motherworld. Between these two are works that both evoke the call of the Goddess and praise Her. In Returning, we see the beauty of Her return to the land:
Our Lady shimmers in the waning of the mist Revealing Her contours in the land
Julie Felix has been a very welcome fixture at the Glastonbury Goddess Conference for at least seventeen years but I’ve been a fan of her music since the 1960s, so couldn’t wait to interview her for Goddess Pages.
Curious, first, about her early life, I asked Julie about that. She told me that she remained a devout Catholic until her late teens and in fact remembers seeing Loretta Young play a nun in Come to the Stable, which came out around 1949. Loretta Young got an Oscar nomination for her part; Julie decided she wanted to be a nun. Fortunately, that didn’t last too long! Continue reading "An Interview with Julie Felix"