by Melinda Marton
I love the rich, spiritual feeling of this ancient land and spent my last summer holiday in Pythagoreion on the beautiful island of Samos. There is so much to see here, I didn’t spend much time lying on the beach!
First stop was the local museum, which is a beautiful new building in the middle of the town. It’s placed next to the ancient city and has current archaeological excavations right next door.
The Samos museum mentions all the following as local to the island:
- The main sanctuary of the patron goddess of the island (sanctuary of Hera, at the mouth of the river Ibravos)
- Patron God of the city, Dionysos
- Temple of Aphrodite – lies beneath the foundation of an old house
- On the heights of the city, sanctuaries of the Mother Goddess, Cybele
- Sanctuary of Demeter at the edge of the city, high on an isolated hill, as appropriate to mystery cults
- Artemis, Dionysus and Apollo cults
- A cult of Nymphs
- Inscriptions of Hygeia
- Temple of Isis with large, lavishly adorned altar in the south of the small square to the right of Lykourgos Logothetes street which leads to the harbour
by Lesley Jackson
Take any book of Ancient Egypt and look for Nephthys in the index, more likely than not it will read ‘see Isis and Nephthys’. Why isn’t Nephthys viewed as a goddess in her own right? She doesn’t appear to have been worshiped on her own and there is no evidence for any cult centre or temples dedicated to her.
At first glance Nephthys can appear as a passive victim and, dare I say, a bit too quiet and uninteresting. Does Nephthys personify the perpetually unappreciated or is she merely a shadow side of her globally recognised, illustrious sister Isis? Certainly she is seldom portrayed on her own and is usually mentioned in the same breath as Isis. They are referred to in terms such as the Twin Sisters and the Two Kites and are depicted as physically identical twins, distinguishable only by their headdress. A longer second glance is required to discern the essence of Nephthys.
by Dora Wright
by Barbara Barnett
This is a continuation of the article I started in the Autumn edition of Goddess Pages, on “21 Women”, a chapter in ‘Awakening Osiris’ by Normandi Ellis. In the Autumn edition I worked with the first ten of the women, seeking to learn more about them by allocating to each a path on the tree of life and a crystal correspondence. In this second part of the article I will work with the remaining eleven women.
The eleventh woman ‘interrogates a man’s soul’. She is the first of nine women who carry out this task. ‘She pierces a man with the flame of her eye.’ Her name is not known.
by Leona Graham-Elen
by Alex Chaloner
The esoteric philosophy of Helena Blavatsky and Alice A Bailey both advocated the idea of the seven rays. These mysterious rays have been described as “seven great divine Emanations, Aeons or Spirits”1 and “Seven Holy Ones, self-born from the inherent power in the Matrix of Mother Substance.”2 It is said that each ray holds a unique quality which manifests in the universe and throughout all of creation.
Earlier this year my organisation, Goddess Within, produced a ritual performance piece entitled “The Goddess and the Seven Rays”. The aim of the performance was to map the rays to well-documented Goddess archetypes and through their stories come to understand how these ray qualities manifest within human consciousness.